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Director of the Contemporary Music Centre to step down
Wednesday 10th March 2010

Eve O`Kelly has announced her intention to resign as Director of the Contemporary Music Centre, Ireland.

Eve joined the Contemporary Music Centre (CMC) in September 1990 and has since then overseen the continuous growth and development of the Centre into its current position as the focus for new music in Ireland, north and south. On joining CMC she managed the foundation and computer cataloguing of the library, now the only comprehensive collection of 20th and 21st century Irish music scores, recordings and research materials. She also fundraised and managed a major archive transfer project to copy and catalogue some 3,500 recordings of Irish music from the 1930s to the 1980s from the sound archive of RT to the CMC collection. In 1996 CMC was one of the first Irish arts organisations to use the Internet. Continuous development of CMC`s web site since then has made it into a leader among Irish arts web sites, particularly in the use of Web 2.0 technologies, and has ensured high visibility for contemporary Irish music abroad. A major digitisation project is currently underway which will see the whole of CMC`s collection available online for public access.

In 2000, following a long campaign of fundraising, purchase and renovation, Eve managed CMC`s move into its own building, a historic house in Dublin`s cultural quarter, Temple Bar. Other significant projects initiated and carried out during her tenure include the new music::new Ireland international performance programme, the touring exhibition The Art of Sound for Cork 2005, the well-established CMC Salon series and in-house talks and events, and the promotional CD series, Contemporary Music from Ireland. She is a board member of the International Association of Music Information Centres and CMC will host the annual conference of the Association in Dublin in June.

Commenting on her resignation, Mary McAuliffe, Chair of CMC, said, `It is with great regret that we accept Eve`s resignation. Her achievements in the post have ensured that CMC has a firm foundation and a clear sense of mission, and her drive and vision have given it an international as well as a national profile.`

Eve will be stepping down at the end of June.


The Contemporary Music Centre is Ireland`s national archive and promotion agency for new music, supporting and developing the work of Irish composers nationally and internationally. It is funded by the Arts Council/ An Chomhairle Eala on; the Arts Council of Northern Ireland and Culture Ireland.

For further information please contact Karen Hennessy, Promotion Manager, on the details below.

 
 
CONTACT INFORMATION
Karen Hennessy
The Contemporary Music Centre,
19 Fishamble Street,
Temple Bar,
Dublin 8
 
T 353-1-673 1922
E khennessy@cmc.ie
W www.cmc.ie
 
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COMPOSER OF THE MONTH
Hilary Tann
From her childhood in the coal-mining valleys of South Wales, Hilary Tann developed the love of nature which has inspired all her music, whether written for performance in the United States (Adirondack Light for narrator and orchestra, for the Centennial of Adirondack State Park, 1992) or for her first home in Wales (the celebratory overture, With the heather and small birds, commissioned by the 1994 Cardiff Festival).

A deep interest in the music of Japan led to study of the ancient Japanese vertical bamboo flute (the shakuhachi) from 1985 to 1991. Among the works reflecting this special interest are the chamber work, Of erthe and air (1990), and the large orchestral work From afar, premiered in October 1996 by the Knoxville Symphony Orchestra conducted by Kirk Trevor. From afar received its European premiere in 2000 by the BBC National Orchestra of Wales and is scheduled for the opening concert of The International Festival of Women in Music Today at the Seoul Arts Center in Korea (KBS Philharmonic Orchestra conducted by Apo Hsu, April 2003).

Hilary Tann lives south of the Adirondacks in upstate New York where she chairs the Department of Performing Arts at Union College in Schenectady. She holds degrees in composition from the University of Wales at Cardiff and from Princeton University. From 1982 to 1995, she was active in the International League of Women Composers and served in a number of Executive Committee positions. Numerous organizations have supported her work, including the Welsh Arts Council, the New York State Council on the Arts, the National Endowment for the Arts, and Meet the Composer/Arts Endowment Commissioning Music USA. A number of her chamber works are available on the Capstone and N/S Consonance labels. Since 1989 her music has been published exclusively by Oxford University Press.

Her connection with Wales continues in various choral commissions - The Moor for the Madog Center for Welsh Studies, Psalm 104 (Praise, my soul) for the North American Welsh Choir, and Wales, Our Land for the Green Mountain College Welsh Heritage Program. The influence of the Welsh landscape is also evident in many chamber works - The Cresset Stone (solo violin), and The Walls of Morlais Castle (oboe, viola, cello). In July 2001, The Royal Liverpool Philharmonic Orchestra conducted by Owain Arwel Hughes premiered The Grey Tide and the Green, commissioned for the Last Night of the Welsh Proms.

Recent years have brought a series of concerto commissions - for violin (Here, the Cliffs premiered in October 1997 by the North Carolina Symphony Orchestra with violinist Corine Brouwer Cook), alto saxophone (In the First, Spinning Place premiered in March 2000 by the University of Arizona Symphony Orchestra with Debra Richtmeyer as soloist), and cello (Anecdote, premiered in December 2000 the Newark (DE) Symphony Orchestra with Romanian cellist Ovidiu Marinescu). In March 2001, Hilary Tann guest composer-in-residence with the Louisville Symphony Orchestra in conjunction with a performance of her 1989 concert overture, The Open Field (In memoriam Tienanmen Square).
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+44 (0) 2920 635640 T
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