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| | what's new | | New CD Release - William Mathias Choral Music |  | | May 2009 | Label: Hyperion
Artists: Wells Cathedral Choir, Jonathan Vaughn organ, Matthew Owens conductor
Catalogue No.: CDA67740
Release Date: May 2009
Total Duration: 75`32
William Mathias’s ebullient, joyful choral writing, drawing on a variety of musical traditions, is immediately accessible and likeable whilst demonstrating an architectural sophistication that brings it into the top rank of twentieth-century liturgical music. He had a particular flair for brilliance, drama and display, which made his music highly suited to ceremonial and festive occasions; present too in his music is a sense of Celtic mysticism and deep spirituality which enhances such works as ‘All wisdom is from the Lord’ and ‘O nata lux’.
This disc includes a comprehensive selection of his works for choir and organ, spanning his wide-ranging musical career and manifold influences. It is performed by Wells Cathedral Choir—recently described in Gramophone magazine as ‘probably the finest English Cathedral choir at the moment’—whose delightfully full-throated, vibrant sound is the perfect vehicle for this repertoire.
1) Let the people praise thee, O God Op 87 1981
Magnificat and Nunc dimittis (‘Jesus Service’) Op 53 1970 2) Magnificat 3) Nunc dimittis
4) A Babe is Born Op 55 1971
5) In excelsis gloria 1954, revised 1991
6) Processional organ solo 1964
Missa brevis Op 64 1973 7) Kyrie 8)Gloria
9) Sanctus 10) Benedictus 11) Agnus Dei
12) Ave verum corpus 1992
13) Carillon organ solo 1989
14) All wisdom is from the Lord Op 88 No 3 1982
15) Lift up your heads, O ye gates Op 44 No 2 1969
16) O nata lux No 3 from Rex gloriae Op 83 1980
17) Festival Te Deum Op 28 1964
18) O be joyful in the Lord (Jubilate Deo) Op 90 No 2 1983 | | | | | | CONTACT INFORMATION | | | | | W www.hyperion-records.co.uk | | | | « BACK TO FULL LISTING PAGE | | |
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 | COMPOSER OF THE MONTH
Hilary Tann |  | From her childhood in the coal-mining valleys of South Wales, Hilary Tann developed the love of nature which has inspired all her music, whether written for performance in the United States (Adirondack Light for narrator and orchestra, for the Centennial of Adirondack State Park, 1992) or for her first home in Wales (the celebratory overture, With the heather and small birds, commissioned by the 1994 Cardiff Festival).
A deep interest in the music of Japan led to study of the ancient Japanese vertical bamboo flute (the shakuhachi) from 1985 to 1991. Among the works reflecting this special interest are the chamber work, Of erthe and air (1990), and the large orchestral work From afar, premiered in October 1996 by the Knoxville Symphony Orchestra conducted by Kirk Trevor. From afar received its European premiere in 2000 by the BBC National Orchestra of Wales and is scheduled for the opening concert of The International Festival of Women in Music Today at the Seoul Arts Center in Korea (KBS Philharmonic Orchestra conducted by Apo Hsu, April 2003).
Hilary Tann lives south of the Adirondacks in upstate New York where she chairs the Department of Performing Arts at Union College in Schenectady. She holds degrees in composition from the University of Wales at Cardiff and from Princeton University. From 1982 to 1995, she was active in the International League of Women Composers and served in a number of Executive Committee positions. Numerous organizations have supported her work, including the Welsh Arts Council, the New York State Council on the Arts, the National Endowment for the Arts, and Meet the Composer/Arts Endowment Commissioning Music USA. A number of her chamber works are available on the Capstone and N/S Consonance labels. Since 1989 her music has been published exclusively by Oxford University Press.
Her connection with Wales continues in various choral commissions - The Moor for the Madog Center for Welsh Studies, Psalm 104 (Praise, my soul) for the North American Welsh Choir, and Wales, Our Land for the Green Mountain College Welsh Heritage Program. The influence of the Welsh landscape is also evident in many chamber works - The Cresset Stone (solo violin), and The Walls of Morlais Castle (oboe, viola, cello). In July 2001, The Royal Liverpool Philharmonic Orchestra conducted by Owain Arwel Hughes premiered The Grey Tide and the Green, commissioned for the Last Night of the Welsh Proms.
Recent years have brought a series of concerto commissions - for violin (Here, the Cliffs premiered in October 1997 by the North Carolina Symphony Orchestra with violinist Corine Brouwer Cook), alto saxophone (In the First, Spinning Place premiered in March 2000 by the University of Arizona Symphony Orchestra with Debra Richtmeyer as soloist), and cello (Anecdote, premiered in December 2000 the Newark (DE) Symphony Orchestra with Romanian cellist Ovidiu Marinescu). In March 2001, Hilary Tann guest composer-in-residence with the Louisville Symphony Orchestra in conjunction with a performance of her 1989 concert overture, The Open Field (In memoriam Tienanmen Square). | | click here for more info.. |
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